Wednesday, October 24, 2012

While leaves are falling, Madison is growing


Autumn is synonymous with change. What a perfect time to share with you some transformations, new additions and developments within our company!

WITHIN MADISON:
We are proud to announce that Monique Platt and Briana Marrocco have signed on with Madison as partners. We also want to welcome a fresh face to our graphic design department, William Harkisheimer. Please join us in congratulating them as our firm continues to grow stronger!


WALL COVERINGS:
Recently, a local corporation contracted Madison for three oversized vinyl wall coverings. The architect came to us with specific ideas in mind and team Madison worked continuously until all three designs were perfected. Madison managed the entire project from concept to installation. With every team member assisting on this project, we feel extremely proud of the finished pieces.

 









3D OBJECTS: 
We are receiving more requests for professional assistance with sculptures, antiques and accessories. We are currently in the process of curating, restoring and relocating a company’s collection of antique invention prototypes. This project requires the utmost attention to detail, as the objects are priceless to our client.
During the summer, a Philadelphia sculpture artist was hand picked by team Madison to create a commissioned sculpture for the landscape of a local hospital. Our in house artists collaborated with the sculpture artist on a design concept that was brought to fruition and now creates a small retreat for the visitors of the hospital.


A local design firm working with a luxury hotel chain has recently appointed Madison to create original artwork for the VIP suites area. Our team searched rigorously and hand picked a talented glass artist based in the Philadelphia area. Thirty hand crafted glass plates have been artfully created and will be on their way to the sunny Caribbean soon!
       
                                 

FRAMED ART:
Possibly Madison’s proudest breakthrough is that we are now offering signed limited edition giclees on canvas and artist paper! While limited edition giclees are not new to Madison, we have recently obtained rights to printing original artwork of artists that we have formed lasting relationships with. Below you will find two images of our emerging artists. 

                                      


           
Up-Cycling is a word trending around the Madison office. Even with a low budget, Madison was recently able to assist a local hospital with a fresh new look. Our team assessed their existing art collection- curating a new collection that would create fluidity and beauty throughout their space. We finished the artwork with new matting and framing on the pieces in order to unify the final collection.

Madison is always on the search for innovative ways to remain a progressive company. Our team’s background of design, facilities, museum studies, graphic design, fine art, education, art conservation and art history attribute to our success with clients. As the seasons push forward, we promise that Madison will continue to be at the forefront of art and design. 
Enjoy the beauty of the season!






Tuesday, July 10, 2012

That Feeling of Merging with Something Greater


I remember a time when I thought going to a museum was the only way to view beautiful artwork. As I got more involved in the art world in college, I realized I had been wrong. Art is everywhere! Sculptures, murals, installations and designs can be found everywhere outside the walls of a museum and we see it becoming more integrated into science, nature and many other fields of study while becoming more interactive and engaging daily.
In this interwoven world of art, British artist Bruce Munro has filled Pennsylvania’s Longwood Gardens with six large-scale- outdoor- site-specific lighting installations. Munro also designed work for the grand conservatory with two indoor lighting projects and multiple lighting sculptures in the music room. Longwood Gardens is known as the world’s premier horticulture showplace, which boasts lush gardens, flawless landscaping and rich history. The blending of Munro’s innovative installations with the lavish gardens is a first for the United States and sounded to me like perfection. If there are two things in art I enjoy, it’s light installations and suspended pieces… so me being excited was an understatement.

I entered the gardens about an hour before dusk with a small group. The staff, friendly and knowledgeable, directed us to the first installation site Arrow Spring: Beyond Flower Garden Walk. The 300-foot bending trail of sage, fiber optics, and sculptural spheres cascades down the hillside naturally, creating 15,000 points of light. It felt as if I was downriver of a magical river of light.




 A short walk away, we found ourselves in awe of Field of Light. Small Lake as the sun began to set and my excitement began to rise. Of the six outdoor installations, this was my second favorite. I felt at peace as my eyes scanned the far bank of the small lake that was filled with softly lit spheres from water’s edge to the hilltop. 




The 7,000 frosted glass spheres are densely scattered along the bank with soft blues, pinks and greens. As I remained still, taking in the beauty, a color transformation swept across the globes which appeared to be living and breathing. Among the water lilies and bullfrogs, the water’s reflection extended the lights further towards me and it looked just whimsical. Munro formed a seamless marriage of light and nature in the perfect dose to delight me yet leave me wanting more. As the group moved on without me, I took one last look so I could remember this dreamy moment. This site is divine.
            
           As we moved on our adventure, we found ourselves walking down a softly lit path, unaware of our destination. As we emerged in an open field, I was delighted to see huge towers of color scattered everywhere. I lost my group as I was captivated with curiosity to discover what these towers were. 


Water Towers: Meadow at Hourglass Lake are sixty- nine multi colored pillars lined with recycled bottles filled with water and fiber optics. The color of the fiber-optics change color with the sound being projected from them allowing the viewer to experience sound translated into color and back. I walked aimlessly, immersing myself among the lights and sounds. This site was more interactive than the last and I enjoyed watching kids dance and move about among the towers that projected an energy that everyone could feel.
Photo courtesy of Longwood Gardens
          There was no sunlight left in the sky as we made our way into the woods on a dimly lit path heading towards what looked like the heavens. Forest of Light: Forest Walk quickly became my favorite installation of Munro’s. I felt I was leaving earth to spend time in another world. I was mesmerized by the illuminated globes of glass that lined the winding path through the dense forest of trees. The globes, filled with a twisted fiber optic strand, changed color subtly like a breeze had swept across them. 
            As I walked along the path, the atmosphere grew darker and the light spheres appeared brighter. It was so dark that you could barely see the others around and although I knew they were there, it felt like they weren’t. Somehow the public exhibition felt like a personal experience and the 22,000 lights were all for my viewing. I was floating deep in a magical world that seemed so far from anything I had ever experienced. All around me, as far as I could see was organic light that was alive and it was breathtaking. I could not find the end of the path but I enjoyed feeling that there was no end to my hidden world. I already knew I would be back again soon and maybe then I would find myself at the other end of the most magical place I had experienced.


The pairing of Longwood Gardens with Bruce Munro’s installations is perfection. From entrance to exit Munro illuminates the gardens with magic and charm that feels like you’re deep in Shakespeare’s A Midsummer’s Night Dream or a fairy tale from childhood. I highly recommend this as the tri-stateare's event of the summer that is not to be missed! Whether you bring children or a date, Munro's installations are sure to ignite everyone's child inside. 
-Briana
Outside the Entrance


"Snowballs" as they change in color
"Snowballs" are suspended from the ceiling in the grand conservatory


"Gnasher's Raspberry" sculpture in the music room



For more information visit http://www.longwoodgardens.org/




Unless noted, all photography by Briana Marrocco


Monday, July 9, 2012

Jonathan Mandell


Floral Landscape Deer 2002 (46” x 65”x 13”) 


Jonathan Mandell creates mosaics of all sizes, shapes, and colors.  He does this with great skill and therefore can recreate any form in mosaic with precision.  His works can be found around the Philadelphia area and as far away as Israel.  



Citizens Bank Park 2003 (96" x 72" x 2") commissioned by the Philadelphia Phillies at Citizens Bank Park


Portrait for the Hadassah Medical Center in
Ein Carem, Israel 2011 (48" x 36" x2") commissioned work
Mandell refers to his work as "the juncture of painting, sculpting, and drawing."  This is a perfect description because he draws with his grout lines, paints with his colorful tiles, and adds dimension with his convex/concave pieces of glass.  In viewing his extensive collection of works, it is clear that Mandell is in a league of his own. 

Nature Study VI 2012 (25" x 25" x 3") 















Mandell began experimenting with mosaic while earning his Masters of Fine Arts at the University of Pennsylvania.  There, he discovered that by approaching a mosaic from a fine art perspective a truly dynamic work is created.  Mandell lists Cezanne, Van Gogh, and Matisse amongst his inspirations and a modernist vibe is definitely felt in his works.

Trumpet Player 2009 (24" x 24" x 2") 


Where to see Jonathan Mandell in the Philadelphia Area:

Floral Glass Shard Vessel 2012 (50" x 26" x 26")
National Constitution Center
The National Liberty Museum
The University of Pennsylvania
Citizens Bank Park in Philadelphia, Pennsylvania
Delaware Valley College in Doylestown, Pennsylvania 



For More Information Visit:
http://www.jonathanmandell.com/index.html 

Sunday, June 17, 2012

Deep in the Heart of Chelsea


           They say all art derives from other art. I never find this more accurate than when I’m in search of inspiration to get me started on a new piece. After a semester of devotion to my senior art thesis, my professors challenged me to desert the majority of my work and accept an entirely new direction. Having only a week and a half left before installation started, I found myself dry of inspiration. At this point in the semester I had my fill of the Philadelphia art scene and needed something new and inspiring to chew on. My solution was New York City. Between the numerous museums and bountiful galleries, I knew there was a feast of inspiration waiting for me to devour.
           Armed with my sketchbook, camera and open mind, I headed to Chelsea district for a day of gorging on all the contemporary scene had to dish up. As I traveled from one bleak gallery to the next, I found myself unimpressed and uninspired. To my surprise, surrealism had made a come back. The running trend of hair, weaves and wigs in the artwork I saw left me starving for that “Wow” moment, as I tried not to lose hope.
            As I turned down another block in the copious gallery district, by random chance, I enter the Tanya Bonakdar Gallery. Immediately I knew this gallery was different than the rest as I heard the uplifting sounds of children’s laughter echoing off the stark white walls. After walking through a small corridor of netting, I turned the corner into the main room to find exactly the opposite of everything I had seen thus far. Children and adults were engaging physically and mentally with the colorful exhibition quite joyfully.
            The artist that brought such joy to the relatively serious gallery district is Ernesto Neto with his “Slow iis goood” sculptural-installation-conceptual exhibition. The lower floor main room contained an oversized, vibrantly colored, hanging piece right in the middle of the room that invited me to come play. Happily abandoning my serious manner from just moments ago, I was instructed to remove my shoes and climb on in. As I explored the crocheted tunnels suspended from the ceiling I began to feel that “Wow” moment come on as I realized this work is incredible!
            The crocheted polypropylene and polyester cord moved and stretched as I laughed and stumbled through. In order to give the crocheted “tunnels” structure to walk through, Neto filled the walking base with dark colored balls similar to those in children’s ball pits. When I found a quiet, more serene upstairs level, the subtle scent of spices filled the air. On this piece, Neto crocheted webs that hung down from the sides and held pots containing various spices. This was a different experience from the lower level. I climbed in to The Sun Lits Life, Let the Son, walked to the end and sat down. I wanted to take this moment in. With my senses fully engaged I thought, this is the kind of artist I want to be. As I got down and walked around the room I was officially in awe of Neto’s work.





             The day was pushing forward and my friends were pulling me out the door. We had many more blocks of galleries to go see. Neto’s installations rejuvenated me and reassured me that there will be more work that speaks to me the way his did. Although I didn’t find another artist like Neto that day, I was content and grateful to have experienced his work.
-Briana











            
Photography by Briana Marrocco

Wednesday, May 9, 2012

World Trade Center, Part 2




I have to admit, this post is considerably harder to write than yesterday’s was. It’s easy to write about new construction and give facts and details without thinking about the reason those buildings needed to be replaced. That’s a much harder task when discussing the memorial and upcoming museum, because it’s so simple to get caught up in the emotions of what they’re intended to commemorate.  These areas were designed with one purpose: to ensure that everyone, and everything, that perished on 9/11 is remembered in a place of honor. 

The National September 11 Memorial
I’m not sure exactly what I was expecting.  I had visited the Vietnam Veterans’ Memorial in Washington, D.C. as a kid, and I remember distinctly the feel of the letters carved on that wall, and the faces of the other visitors as they located the names they were looking for.  I think I was expecting a comparable feeling here, not just because of the similarity in the way these two memorials list out each name, but also because so many people’s emotions about the two events were so similar: loss, anger, incomprehension. I was not expecting the absolute reverence this site commands as you walk up to it.  The city is such a noisy place, compounded by the construction noises coming from the Trade Center buildings as they grow, but as you walk towards the North and South Pools, every bit of external sound drops away.  All you hear is the sound of the water. 

The South Pool is shown at foreground, with the 
Museum and 1 World Trade in the background to the right.
By design, you cannot see the bottom of the second tier when standing on the ground. The pools are identical in footprint to the Twin Towers and yet honestly, they seemed so small in comparison to the surrounding structures that it’s hard to imagine the two massive buildings fitting into these two small squares. (I mentioned this to one of the on-site guides, a young man named Steven, who says he hears that all the time.)  Each person whose life was lost on 9/11 or in the 1993 attack, including those yet to be born (I counted at least 6 women listed as “… and Her Unborn Child” just by casual glance) is listed around the raised bronze borders of the North or South Pool, nearly 3,000 in all. The names are grouped according to where the individuals were when they died – not just what building or plane they were in at the time, but also in proximity to the other people whose remains were located near their own. If family members requested that two names be listed near each other, those requests were honored as well.  


We asked Steven why there were so few American flags close to the memorial. In responding, he pointed out several other missing items that we had failed to notice on our own. Many sites built “in memoriam” will allow donors to sponsor bricks or pavers, which will bear a message relating to those they want remembered. There is no such option here.  There are also no bathrooms, and no trash cans.  These are all intentional omissions, designed to keep the focus where it belongs, giving utmost dignity to the names engraved on the memorial. 

That dignity, and a pride of purpose, seemed to be universal to those employed at the site.  I watched for a while as one worker carefully knelt to pick litter from a bed of mulch – you can see him working in the background of the image below, in gray shirt and black pants. Every employee that we encountered had that same intense aura about them, as if they came to work here specifically to ensure that the site kept its significance. I’m sure I’m not stating that as clearly as I experienced it, but what I’m trying to convey is that these people clearly feel that what they are doing, however minute the detail may be, is of utmost importance to giving this site and those being remembered the sacredness they deserve.



The park employs volunteers, all of whom are either survivors themselves or family members of those who passed, to give “person-to-person history”.  We stopped for a few minutes to listen to one of these speakers, a woman who lost her husband, a first responder.  It took her several months to piece together what exactly happened to him on 9/11. His unit was already en route to the World Trade Center when the second plane hit. They parked the fire truck several blocks away and walked the rest.  His body was located in November 2002, a full 14 months after the attack.  He was wearing his helmet, but his jacket was wrapped around a civilian found nearby. She made a point of saying that in all of her questions about that day, “Why?” has never been one of them.  To her there is no “why”; he was simply doing his job.

9/11 Memorial Museum
The Museum, shown from the South Pool.
In between the two pools is the Museum Pavilion.  Built of steel and glass, the shape of the building itself is intended to mimic the lines of the original Twin Towers, however in this version they are laying on their side and tilted towards the earth, rather than standing straight and skyward.  When completed, the Museum will reach 7 stories below ground, and serve as a dedicated memorial to the individual lives lost.  The exhibitions will include audio recordings of survivors recounting the day’s events, and biographies of the deceased.  The museum will also house many of the remaining structural elements of the original Towers, including the last two original tridents.  (Four remained semi-intact after the buildings fell, but two of those were irreparably damaged in transit to a holding facility.)  The Museum intends to open to the public by the end of 2012.

The steel Tridents once stood as an iconic 
symbol of the Twin Towers.   

These two were salvaged from the North Tower.


The Sphere
We made one side trip to visit a piece of the original complex that’s now located off-site but within walking distance.  In the plaza between the Twin Towers stood a bronze sculpture named “The Sphere”, by artist Fritz Koenig.  After the attacks, the Sphere was uncovered in surprisingly good shape considering that debris from the Towers had quite literally rained down upon it.  Six months after 9/11, the Sphere was placed in Battery Park, and on September 11, 2002 an Eternal Flame was placed alongside of it as a temporary memorial to those killed in the attack.  Online petitions have circulated asking to return the Sphere to the new Trade Center complex, but officials from the 9/11 Memorial have responded that this will likely not happen.

The Sphere in its original location.  Behind, 
you can see the Tridents of the Twin Towers.
The Sphere in its current location in Battery Park
.

 All in all, the 8-acre memorial site is breathtaking.  I know that there were many critics of the design, those who didn’t think the “void” of the pools was the correct way to restructure the site, but frankly I can’t imagine any other construct doing such an amazing job of capturing the sense of loss while at the same time bringing such peace to those who see it.  May we never forget.

Special thanks to Ken Lewis, Beverly Thomes, and the others at IIDA who organized this trip.  I feel privileged to have been a part of it.

 ---Monique